Posts Tagged ‘artists’

Ask an Artist Erin Murray

Friday, April 9th, 2010

Erin Murray - Ugly and Ordinary Animal Hospital

By Jenn Sharon

What is there to say about today’s Ask an Artist artist Erin Murray? More than you’d think! After getting her BFA from Maryland Institute College of Art back in ’01 Erin returned to Philadelphia and it’s art scene with a mission. She’s been shown various places around town including the Painted Bride, Projects Gallery, F.U.E.L., Artist’s House, Center for Emerging Visual Artists — just to name a few. Her paintings of urban structures will strike a chord in any metro minded mortal. She recently took about 2 years off while she was building her Fishtown multi-unit house/artist space practically from scratch, and now that she has captured her vision for that building in 3-D, Erin is focused on returning to her art. I recently got the opportunity to chat with Erin about her views on different citrus fruits. No, wait, art– her views on art. (more…)

Unsolicited Advice to Artists – Key Words

Thursday, February 4th, 2010

Lemme tellya a thing or three

Lemme tellya a thing or three

You have a website, or perhaps a tumblr or blogger or wordpress. Marvelous. You even update your resume as new shows and reviews come in, and you add images of new work and inform the public on sales. You’re rocking this web thing. But is anyone seeing it? Can anyone find you?

I’m kind of obsessed with tags and key words these days, because I’ve come to see how essential they are to sorting through the mass of information that is the internet. I was trying to look up information on a Philadelphia artist the other day, and I was shocked to find that searching their name and the word artist lead me to Art in Bars, which you know, isn’t so helpful since AiB was who was trying to find more information.

A buzzy skill these days is search engine optimization. Now, I have barely functioning coding skills, and if you’re not a code monkey yourself, you are in some ways limited as to what you can do, but never say never. If you have html knowledge, you already know how to create metatags for robots and keywords. But there’s always room for improvement in what you input as your keywords.

Imagine you are an artist in Philadelphia named John Circe. You do pencil drawings based on photographs of your friends wearing animal masks.  You also make sculptures out of pencils. This is your shtick.

It’s easy enough to get a handle of making sure your full professional name (John M. Circe) is included with any show you take part in,¬† or any image of your work you put on the internet. So if someone knows who you are they can find your website by searching your name, perhaps with artist or art if it’s a common name. But let’s imagine someone saw your work in a group show three months ago, didn’t write down you name, but has been thinking about how much they liked that art and wants to track it down. This is where key words become your best friend.

You need to think about how people who know you, who know your art, and have no idea you exist will find your art. Key word combination that should lead to you. Think specific. Of course use the terms Philadelphia, artist, drawing, pencil, art, but also think of the kind of drawings, the subjects, the materials and add those. Make up long strings of words someone might use to describe your work – weird drawings people masks, hipsters animal mask, Philadelphia drawing mask people, and flatter yourself.¬† Best Philadelphia drawing, really cool pencil sculpture, interesting drawings masks, new artists pencil really good. Always assume you want people to find you who don’t even know who you are, who have an idea of art they would like to see, and make sure your work comes up.

This assumes you have access to code to embed keywords. Let’s say as fancy as you get is a blogger site.¬† You have no idea what I’m talking about with keywords. Tags can be used the same as keywords, and should. Even if you post one image of a painting in progress, tag the hell out of it. Your name, the materials, the subject, the location. The robots of the internet use these words to find your page and suggest it to people who are searching the terms. The robots do not see pictures, they see words (this is why one can make an argument against artists having flash websites) then they look to see if the words in your tags or keywords match other words nearby (so you’re not lying about the content.)

The unsolicited advice: always when you put an image of your work on the internet, attach words to it. Lots of words. Specific words. And then the robots, and the art lovers, can find you.

Opportunities

Wednesday, February 3rd, 2010

ASCB '10

ASCB '10

Couple of quick opportunities for artists, curators, mixologists, and those of you who self-identify as all of the above:

Art Star is accepting applications for their 7th annual Art Star Craft Bazaar. The rules say that up to two artists may share a booth, but collectives are allowed to apply as a group. It would be awesome to see some collectives and more art-orientated artists showing works at the popular event which always gets lots of press and foot traffic. To apply, go here.

Pterodactyl

Pterodactyl

Have a fabulous idea for a show but no place to exhibit it? Pterodactyl has an open call to curators right now. Information on their website. You need to have a solid concept, an idea of what artists might go in the show, as well as images of artists work. They also accept ongoing artists submissions.

In booze news, Art in the Age is looking for ROOT recipes yet again. Got a nummy one? Make a quick video of yourself and post it to their blog. Press release here. As always with ROOT, you could win more ROOT.

Unsolicited Advice to Artists – Pump the Resume pt.2

Tuesday, January 19th, 2010

(Part 1)

How to pump your resume? The most obvious advice is to apply for juried and group shows. Try for grants, purchase prizes, and public and private commissions. Submit your work for anything and everything you are remotely qualified for. But don‚Äôt fall into the trap of throwing your money away on scam shows, such as those that are online only or pay-for-play. Read the fine print. There are many opportunities that are free ‚Äì paying for the chance to compete is not always the wisest decision as an emerging. Some good shows are free of cost and some bad ones have a very high entry fee. The point of these shows is the exhibition itself but also to use as a springboard and to boost your curriculum vitae, to parlay into the next exhibition. (more…)

Unsolicited Advice to Artists – Pump the Resume pt.1

Monday, January 18th, 2010

Emerging artists are in need of expanding their accomplishments: unlike the standard maximum of no more than one page, artists are encouraged to list every little thing they have ever done. There are certain segments of the art world for which your curriculum vitae is as important as your work, and strong art without a strong resume isn‚Äôt given equal consideration. Unfair, but true. Some people make quick judgments based on length alone, before even reading the details. Once established beyond that a single page of accomplishments, only then should artists perhaps weed out the less auspicious appearance they’ve made.

(more…)

Unsolicited Advice to Artists: Google it.

Friday, October 16th, 2009

Lemme tellya a thing or three 

Lemme tellya a thing or three


Dear Artists,

as you may know, I like you. I want you to succeed. Either by doing your own thing your own way (coffee shops, collectives, out of your studio, whateves) or by breaking into a gallery. Every day at the gallery I work at, I interact with artists. And boy howdy, have I learned a lot about what one should and should not do to become part of the gallery system. Also, running this here little blog, I’ve tracked artists appearances throughout town. What that participate in, how they promote themselves. With all my keen observation, I’ve formed some options, which I would like to share with you in the form of unsolicited advice.

Today’s advice: Google it. It being you, yourself. Although yes, you should periodically enter your name into a popular search engine to see what comes up, I want to tell you about other free features you should be utilizing. You know when you land on google.com there’s a series of word on the top left, one of them being “more”. You should click the more, and then the “even more.” (more…)

The Collective Issue

Tuesday, October 6th, 2009

I already brought up the sticky wicket of the Boutique, but here’s another one for ya: artist collectives. Philadelphia is blessed/cursed with 5 major Art Schools as well as some dozen near-by major universities with fine arts degrees. This city pumps out a LOT of bonafide-certified-genuine artists. And sure, some of them skip off to New York, another segment flit home to their parents to get “real” jobs and never work with the arts again, but there is a stubborn visible portion that takes their chosen field very seriously and attempts to buckle down and make their way in the world as a professional artist in Philadelphia.

Unfortunately, galleries are hard to break into, especially straight out of an undergraduate school. What is a budding artist to do? Why, band together. Form an urban tribe. Rent out some cheap space to work in, and every couple of weeks for a couple of days put on a show with a wicked byo party. The issue? Now what? What are you doing as a collective? Treading water? Putting off the inevitable grad school or real job dilemma? Parlaying a modicum of press and recognition to leapfrog to the more sterile gallery scene? Trying to bust the paradigm and do your own thing? Is this what you want to do with your life?

The issues of the collective are: who are they, how they fit in to the city’s art scene, what they want to accomplish, and why. For the month of October artinbars.com will continue to explore the collective issue, through my own art babbling, interviews with actual artists, and investigations of real local collectives. I hope to facilitate an ongoing discussion, so feel free to jump in with your opinions.