Archive for December, 2009

Memory Lane – Mom’s and Second Chances

Monday, December 21st, 2009

What's that out the window?

What's that out the window?

With the holidays around the corner, and I think nearly all of us really do take this time to reflect and appreciate good times and good friends. So in the context of ArtinBars this is a tale of two bars and one bartender that I am thankful for.

The story begins way back in July 2000. It was my birthday; and a bunch of my friends from Tower Records where I worked came out to Tattooed Mom’s to help me celebrate. We were there most of the night. Enjoying the music and drinks and birthday vibes! As the night was wrapping up we got the check of course, and everyone threw money at the person holding the check, he counted it a few times and laid it neatly in the center of the table then waved the server (the lady that wore the sunglasses all the time) over to grab it.

After that, I left. I think everyone else did too. I spent the next 15 early morning post-birthday minutes walking with my friend Brian to my Center City apartment.

Probably about a month later, August 2000, a few coworkers and I went to Tattooed Mom’s after work. We all ordered drinks, and my friend Brian and I didn’t get drinks and the other 2 people at the table did. Minutes upon minutes passed, still no drinks. We looked around . . . it wasn’t busy and our server, the same server from my birthday was nowhere to be found. Finally the server came over with a check for the two drinks, slammed it down on the table and told us to leave. The four of us looked at each other with shock! We asked why, and she started pointing at me and Brian. She explained to us that we were part of the group that stiffed her a few weeks ago. That ‘we’ racked up a large bill and didn’t pay any of it and that we were no longer welcome at Tattooed Mom’s. Brian and I were stunned. On that birthday night there were about 10 people at our table. Of course I didn’t pay for any of my drinks (but who does on their birthday?) others covered that. Plus Brian and I were one of the first to leave and there was money on the table when we were saying our goodbyes and leaving.

Dum Dums

Dum Dums

I felt terrible. Someone stole the money from the table, and stiffed the poor server. Now she was mad, I couldn’t come back to Tattooed Mom’s and none of this was my fault.

Fast forward to 2004: I’m now working mornings in Old City which leaves my afternoons free to hang out at my new favorite spot: Sugar Mom’s. After several Wednesday afternoons there, I built a friendly rapport with the Wednesday bartender; Josh. One day Josh is telling my friend and I about an event at Tattooed Mom’s that we should attend. I sighed. I decided to be straight with Josh. I told him the whole story, and why I’m not allowed at Tattooed Mom’s. Josh told me that he has worked at both of the Mom’s for years, that I am a great patron, and to stop by Tattooed Mom’s the next time he was working there and everything would be fine. I almost cried! But I didn’t. I did however count the days until the day we agreed upon. On that day I nervously walked from work to 5th and South, walked in, sat down and was greeted with a smile and a beer. I’ve never had a problem there again.

I am thankful that I was given a second chance at one of my favorite bars in Philadelphia and thankful to bartender Josh, who gave me that chance.

Unsolicited Advice to Artists: Name Game

Thursday, December 17th, 2009

Lemme tellya a thing or three

Lemme tellya a thing or three

Names are vital in how you present yourself. I’m not getting into how important it is to name work (I’ve yet to meet someone for whom Untitled is an accurate reflection of the subject of their work – it’s a lazy argument for a lazy solution – but that’s another post) but rather your file names when you submit work. Think I’m being glib? The other day I sorted through over 50 discs of artist submissions to an upcoming show, and I can not stress enough how a little effort on your end will endear you to the lowly peon tasked with presenting your work to the higher-ups in the arts food chain.

Imagine you’re applying for, say, a popular group show at a local arts institution that requests a disk with 5 images and a resume, statement, and slide list. Your cd is going to end up in a pile with potentially hundreds of other artists, then most likely, all of your images will be gathered together for presentation. Let’s start with when I put your cd into my computer. The icon pops up. And what is it called? In my real world experience I’ve seen unnamed (implies you don’t understand how to perform basic computer tasks) the date the disk was made 12/14/09 (hmm, finished a day before the deadline – don’t think this is important, eh?) cutsy names that have nothing to do with the work PurpieX (seriously?), the name of the show being applied for Show Title (great for you, but I already know that I’m working on this show, so not the best choice.) So what should it be? Your full professional name (not Jo or Kitty, Joseph M. Smith or Katherine Cooper) the name you would like to have associated with your work and then if there’s room, the show being applied for or the body of work. Ah, I see you’ve named your disk properly. I have high hopes for you. Then I open up the disk.

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Tee Shirt Review – Woody’s

Wednesday, December 16th, 2009

Presentation is very important when selling merchandise. Instead of a discussing the design elements of a particular bar t-shirt, here are some ideas on how t-shirts are displayed. It’s hard to make any piece of clothing look good when it’s dangling from a knob, or a pipe from the sprinkler. Most bars just put their t-shirt on a white plastic hanger behind the bar. I believe a t-shirt is the canvas of a graphic artist and the bar is the gallery space where they mount their art. Bars should frame their shirts and hang them right above the bar like some famous guys’ sports jersey. Since bars t-shirt designs have sports themes anyway, it wouldn’t be out of place. Or they can get busty mannequins; they could always put on one of those girly shirts with the capped sleeves. Or they really shouldn’t be mounted at all; there should be a t-shirt gun at last call every night.

Woody's Tees

Woody's Tees

Woody’s the bar/club on the corner of 13th and Walnut has a kind of merch table. It’s a glass display case with t-shirts in different styles. It’s nice idea ,but I couldn’t get a shirt. The bartender told me he didn’t have a key to the case and to come back at four. I came back at four. Still no shirt. They told me to come back at night and that made sense because at night Woody’s is a humpin’, pumpin’ and bumpin’ club and that’s when you’d get a t-shirt. I returned the next night and didn’t go in because Woody’s is a humpin’, pumpin’ and bumpin’ club and the line was too long.

Some of those shirts were pretty cool too. One said “Woody‚Äôs” all Sailor Jerry-style inside a ribbon, across a red heart. The rest of course had a sports theme. I came back to this place three times and still didn’t get a shirt. Maybe Woody‚Äôs has the best t-shirt because you gotta work for it.

The Whole 9 Yards

Thursday, December 10th, 2009

I’m sitting on a back log of submissions from contributors (’tis the season for nostalgia), as well as some nearly complete ramblings on my part, but I’ve been focusing on trying to develop the layout for the next gen of AiB and therefor have been slacking on the blog portion. But I would be deeply negligent if I didn’t tell you what I’m going to do tonight (and recommend that you do it too.)

Tonight, December 10th at Dirty Frank’s Bar is the first opening reception for “The Whole 9 Yards” show, co-produced by Off the Wall Gallery and Midwives Collective & Gallery. Exploring the expansive world of fibers and textiles,¬† works are not just fiber art, but an investigation of tangential interests. I think this is a great concept to explore how more and more art is becoming increasingly multi-disciplinary and craft-inclusive/influenced. The show includes traditional fiber work, sculpture, photography, installation, as well as small, intimate pieces.

The Whole 9 Yards

The Whole 9 Yards

Work was juried by Bob Jackson, Jody Sweitzer, Elizabeth J. Smith, Marlise M. Tkaczuk, and Wayne W. Urffer. Artists include: Janelle Adamska, Rocco Agrippa, Samantha M. Brown, Timothea Canny, Erin E. Castellan, Jeanine Ciach, Michelle A. Clements, Denise Coolbaugh, Rebecca Cross, Gretchen Diehl, Leslie Nobler Farber, Alisa Fox, Alexis Gurst, Krista Infante, Patricia Kinsman, Kelly A. Kozma, Therese Lavery, Jym Paris, Jodie Pellish, Erin M. Riley, Jillian Sokso, Mickayel Thurin, Harvey Weinreich, Lauren Westenhiser, and Katie Randolph Wood.

But here’s the clincher – there’s one opening tonight, at Dirty Frank’s, and then another opening tomorrow at the Midwives Gallery. One great show, two great locations, with very different feelings. What’s the difference between seeing art in a bar verses a white wall space? I think, in fact, the show itself is divided, and it’s not as though all the work will move from one location to the other. Rather, though the show itself is one unit, works have been placed in either one location or the other. Super interesting real world example of context as a determining factor in interpretation, and possibly shading perceived worth. Interesting concept for a show, and unusual application of instillation, further aiding the discussion. I’ll be the one geeking out about said concepts. After going to a wine class. Warning: you might want to avoid getting into a discussion with me; I’ll probably not shut up about art. Pity my partner. See you there!

Both opening receptions run from 7-10 P.M. Dirty Frank’s, NE corner of 13th & Pine Thursday, December 10th, and Midwives Collective & Gallery, 1241 Carpenter St., suite 2, Friday, December¬† 11th. Beer, wine and assorted refreshments at both!

At Home with Jenn – The Lit Candle

Monday, December 7th, 2009
The Lit Candle - a winter warmer

The Lit Candle - a winter warmer

It‚Äôs almost winter. Winter is truly a magical time; it somehow makes people forget about the whole icy quarter. Every year we get sucked in to shininess and sparkles of the beginning of the season, with its promise of presents and parties. People gather together to eat large meals and drink creamy cocktails, all the while forgetting the second gelid slice of winter — the post January portion; complete with dirty city snow, super short days, and weeks at a time with bone chilling temperatures that no amount of layers can stop. This year, I‚Äôm going to start praying for spring now. Until then, I‚Äôve created a warmed libation that will melt your frigid heart after you‚Äôve fallen in the snow. It‚Äôs a buttery rum toddy, and take note that the almond extract brings all the spices together, smoothing them to create a decadent winter cocktail.

What you’ll need for “The Lit Candle”
Rum, Brandy, Triple sec, Butterscotch schnapps, Apple cider, orange juice, cinnamon stick, orange slice, clove, butter and almond extract.

In a saucepan warm:
4 cups of Apple cider
1 cup of Orange juice
Cinnamon stick
Orange slice
3-4 cloves (more or less to your taste)
1 teaspoon butter

Combine ingredients and simmer on low to medium low in the saucepan for 10 minutes. Stir gently. Do not boil. After the ten minutes add:

4oz rum
4oz brandy
2oz butterscotch schnapps
1oz triple sec
5-6 drops of almond extract

Continue to simmer and stir for about 2 more minutes. This ensures all the flavors combine. Pour into glasses and enjoy! Place an orange slice on the side or drop an entire cinnamon stick into the glass. This recipe serves 4.

Stay bubbly Philadelphia!!

December Listings

Friday, December 4th, 2009

Margaux Kent

Margaux Kent


December listings are especially sluggish coming in this month. Light on bars, but heavy on group shows in alternative venues. Luckily for the artists showing, many shows are for both December and January, capitalizing on the possibility of gift sales, and simply allowing longer viewing time. Most shows begin First Friday December 4th and conclude at the end of the month unless otherwise indicated. These are just what’s new up on the walls; as always, check the listings page for older and ongoing shows, and to let me know if I’ve missed anything.

Margaux Kent and Walter Kent at Arcadia Boutique 819 N. 2nd St. Opening reception Friday, December 4th, 6-9 P.M. Through January 23rd, 2010.

Beth Beverly and Ole Bye “Standstill” at Art in the Age 116 North 3rd St. Opening reception Friday, December 4th, 6-8 P.M. Through January 31, 2010.

“To The Sea” – works by Aubrie Costello, Anne Canfield, Darla Jackson, Margaux Kent, Katie Marlowe, and Kaitlin Mosley at Barefoot Doctor Community Acupuncture 618 E. Girard Ave. Opening Reception Friday, December 4th, 2009, 6-9 P.M. Through December.

Andrea Grigoropol

Andrea Grigoropol


Andrea Grigoropol “Sugar and Spice” at Black & Brew 1523 E Passyunk Ave. Through December.

Meredith Kleiber at Cafe Estelle 444 N 4th St. Opening Reception Friday, December 4th, 2009, 6-9 P.M. Through January.

Northwest Artists Collective “Art, Peace + Pizza” at Earth Bread + Brewery 7136 Germantown Ave. In the spirit of the holidays, all artwork will be priced below $200 and 10% of all sales will go to the Nonviolent Peaceforce. Opening Reception Friday, December 4th, 2009, 6-9 P.M. Through January 31, 2010.

“Slo Mo” an exhibition of artists from Philadelphia’s underground art and warehouse scene at Germ Books 2005 Frankford Ave.¬† More info can be found here. Through January 24, 2010.

Jean Suivan and Bobby Gonzales “Authentic Guise” at Mugshots Fairmount 2100 Fairmount Ave. Opening reception Thursday December 9th 7-10 P.M. Through December.
Jessica Notargiacomo photography at Mugshots Manayunk 110 Cotton Street. 19127. Opening Reception(s): Sunday December 6th from 4-6 P.M. and Saturday December 12th from 5-8 P.M. More information at mugshotscoffeehouse.com Through December.

The Art of Don Hughes and Street Painting by Mikey Madnez at Salsita Dance Studio 1624 South St. Opening reception Saturday, December 12th 6-9 P.M. Through December.

“Drawing Conclusions” an exhibit featuring works by the Fine Arts Seniors from Moore College of Art & Design at the Society Hill Synagogue 418 Spruce St. Opening reception Friday, December 4th 5-7 P.M. Through December.

Christiana Kugel

Christiana Kugel


Christiana Kugel “Growing Love” at Studio 34 Yoga|Healing|Arts 4522 Baltimore Ave. Opening Reception Saturday, December 5th, 7-10 P.M. Through December.

Adam Fergurson and Kelly Kozma at Ten Stone 2063 South St. Through January.

The Other Woman: Unwrapped! at Trinity Framing 701 South 3rd St. Opening reception Friday, December 11th, 6-9 P.M.

Celebrate Repeal Day

Friday, December 4th, 2009

Tomorrow, December 5th is Repeal Day! As in, the 76th Anniversary of when they repealed the Volstead Act, and 21st amendment was ratified, ending Prohibition, legalizing alcohol, and making the world a happier place. I was shocked how few events I was able to find around town, (I’m hoping foobooz will bust out a list soon and I can augment this sorry gathering) but here you go:

Bridgid’s will be in the midst of their very own beer week and will celebrating with a keg of Dogfish Head 120 minute. 726 N. 24th St.

Memphis Taproom will have all beer on draft for just one dollar but only from noon till 3 P.M. I suggest going for brunch early and then making the most of the three hour period. 2331 E. Cumberland St.

I found another one, but it’s at a terrible, terrible bar, and I refuse to even mention it. If you like terrible bars, you can google it yourself.

The Collective Issue – Are Sales a Goal?

Thursday, December 3rd, 2009

In the ongoing investigation of art collectives in Philadelphia, I sent out a mess of questions to some seven different collectives, and waited to see if anyone would send anything back. I have a lot of peripheral observations about the prevalence of collectives in this city, and how the operate, and I was curious. A month or so later I had some responses, but they are in no way intended to be indicative of the varied opinions of the collective in the city.

Working at the gallery, I constantly worry about sales. Both for the desire to pay the bills, but sales also support artists, allowing them to keep creating, and in turn to pay their bills. Trust, that BFA isn’t the ticket to fame and fortune you may have been lead to believe it would be in art school. Good luck getting any arts related job that allows studio time. If you can actually make some cushion money by selling work, it means you can devote more time to developing it, and inching towards the dream of being able to live off of your art. Sales are also a concrete form of validation; someone thought this was worthwhile enough to take it home. (more…)

Update – Art In Bars looking for artists

Wednesday, December 2nd, 2009

new business card

new business card

Art in Bars is pleased to announce that we are beginning our second phase – moving towards being an active member in the placement of artists in alternative spaces – and becoming a sole proprietorship. I would also like to announce the addition of Del Lovett as the Director of Artists. Del will most likely not participate in the blog, but rather focus on the behind the scenes artist recruitment. Del is herself a painter, with a BFA from Moore College of Art and Design. Her partnership will assure the high quality of artists represented, expand and diversify the businesses we work with, and ensure the smooth work review and installation processes. If you are interested in working with Art in Bars, please contact us at admin@artinbars.com.

The Pitch to Artists – What Art in Bars can do for you: Art in Bars is dedicated to promoting emerging artists by connecting their work with alternative exhibition spaces. We target your artwork to businesses and clients that share an aesthetic affinity with your work. We handle all presentation, timeline planning, and public relations, allowing you to focus on your art work while your career matures and you establish a sales and showing history. Art in Bars does more than provide you with a venue to exhibit in; we handle all event and artist promotion. Utilizing our years of experience in art promotion, your shows are highlighted in the appropriate publications, online venues, and listings, heightening your visibility in the arts scene. The onus is on us to provide timely, concise accurate press releases with juicy pull lines, appropriate quality images, and to maintain visibility in the crowded marketplace, allowing you to focus on your art and reap the benefits. There is no long term commitment required – we are interested in helping establish your career and fully expect you to move on to bigger and better things. Check the Featured Artists page for some FAQ and then e-mail me at admin@artinbars.com with your questions so I can expand the section to fit your needs.

Memory Lane – Venture Inn

Tuesday, December 1st, 2009
ventureout

The Venture Inn on Camac. Don't miss it!

Sometimes a bar is just a bar. You go there with friends, or because it is close by. Other times a bar may have a drink special that you love. But more often than not, the true magic from your favorite haunt comes from the distributor of libations, the keeper of recipes and tabs . . . the bartender!

The bartender can make or break a place for me. Of course I don’t want a rude bartender; forgetful is also a frustrating trait. On the other end of the spectrum too chipper or no personality at all is weird. And when you find that special barkeep you will go back to that institution again and again. And if that person leaves, you probably won’t go back again for a very long time.

So is the tale of the Venture Inn. Some folks may remember my very first ArtinBars post about a forgotten love between me and the Venture. The truth about the Venture is it is an old gay man’s bar, and I never had any business there at all. But after going a few times with friends, I noted that the bartender Anthony was very nice, and let’s just say he was heavy handed with his pours. Over time I started going a couple of times a week with my partner in drinking crime, Brian, but only on days Anthony worked because the other bartenders in the place were kind of rude. The three of us built a very awesome bartender/patron camaraderie. After a while the other regulars got to know us, and Alabama Slammers (Brian) and Red-Headed Sluts (Me) would appear before us without even ordering. Those were just the drinks assigned to us by this little community Wednesday and Friday nights on Pine and Camac.

Anthony the bartender set the tone for true awesomeness and fantastic memories. I have at least one hundred stories from my time at the Venture Inn, all of them different and fun. Most of them include TOO much fun. But what’s wrong with that? So you see dear readers the bartender is the most important part of the bar experience, they set the climate for the night. When Anthony left the Venture Inn, I only went back once. It wasn’t the same.