Ask an Artist – Mat Tomezsko

February 8th, 2010 by Sequoia
Mat Tomezsko, Girl

Mat Tomezsko, Girl

Ask an Artist (and the companion Ask a Bartender) were some of the first concepts for features I came up with for Art in Bars. Naturally, I think we’ve managed to do one of each. But I’m trying to get back on track (as well as out of my own boring head) and today present Ask an Artist with Mat Tomezsko, where Art in Bars asks slightly stupid questions to professionals about what their work is like. There are both my Art in Bars ponderings, as well as the insightful questions of former contributor and bon vivant Mike Smith.

Mat Tomezsko is a recent graduate of Temple / Tyler and since graduation has been showing his artwork in unusual residential locations, such as the Thomas Lofts, the Parkview Condos, and this month at The Cigar Factory, a condominium in Olde City.

Art in Bars: How did you get involved in showing your work in these living spaces?
Mat Tomezsko: The Cigar Factory hosts three artists a year to show in their foyer space for four months each, and an opening reception in which a good portion of the building can be filled with the artist’s work. The art director, Nancy Small, saw two pieces of mine purchased by her friends and contacted me about the gig.

Mike Smith: HOW CAN YOU CALL YOURSELF A SERIOUS PAINTER WHEN YOU HAVE TWO PERFECTLY GOOD EARS?
MT: I have really bad hearing and can barely speak, so painting was really the most practical option.  Also, I don’t know how serious I am about anything.

Mat Tomezsko, Dead Deer

Mat Tomezsko, Dead Deer

AiB: Do you feel your work is influenced more by art historical traditions, your schooling, or something else you discovered?
MT: My paintings are the result of what is consuming my thoughts.  I am working these things out visually in order to make sense of them.  So a lot is based on personal experience, but it is also me digesting art history and dealing with the process of painting and my reaction to making a handmade image.

MS: HAVE YOU EVER TRIED TO USE YOUR DICK AS A PAINT BRUSH?
MT: No, but I have tried to use my paintbrush as a dick.  Nothing but colors and complaints.

AiB: What’s it like being an artist, freshly out into the world? Are you living the dream or facing the cruelty of reality?
MT: I waver between complete rapture and utter despair.

Mat Tomezsko, Girl

Mat Tomezsko, Girl

MS: DO YOU DREAM IN WATERCOLOR OR ACRYLIC?
MT: Oddly enough, I dream in claymation.

AiB: What is the goal of being an artist, for you personally?
MT: I want to live a full life with an open and awake mind.  I don’t know where I’ll end up.  I don’t really have a plan or a place to go, so I guess we’ll see.

MS: HAVE YOU EVER GIVEN YOUR ART AS A GIFT, ONLY TO HAVE IT REGIFTED?
MT: Maybe, but I have given a painting to a friend and then he got drunk and kicked it around the kitchen in front of me, so I stole it back when he passed out.  Now it’s in my basement.  Asshole.

AiB: Do you think art inherently serves a noble purpose? Or is it just something some people are compelled to create and others compelled to justify?
MT: Art is kind of pointless, but it is also something inherent to humanity.  It’s like consciousness, we don’t need it to survive, but here it is for us to deal with.  I don’t know if that makes it good or bad, but it is beautiful.

MS: ANY SHOUT OUTS?
MT: Carl Sagan.

Mat Tomezsko’s work will be on display at The Cigar Factory: 1147 N. 4th St. There will be an opening reception Friday, February 12th 2010 from 6:30-9:00 P.M. More images of his work are available on his blog tomezsko.blogspot.com.

Snow Day Specials

February 6th, 2010 by Sequoia
Let it Snow

Let it Snow

I discovered the last time that it snowed that lots of bars and restaurants panic over the loss of business (especially since it seems as though the extreme weather has fallen on the weekends.) To try to lure people out they send out “hey, we’re still open” e-mails with specials. Now, I’m not subscribed to every restaurant mailing list in Philadelphia by far, but here are a few specials I know are happening today. Feel free to leave any others in the comments. Then if you’re hale and hearty, strap on the snow boots and support your local businesses.

Fork Restaurant (306 Market Street) is offering a complimentary “Blizzard” (LaColombe coffee, chocolate mint liqueur, kahlua and fresh whipped cream)! Just mention the e-mail. Valid only with the purchase of a dinner entree.

Tria Rittenhouse Square (123 S.18th Street) and Tria Washington Square West (1137 Spruce Street) – Are both offering Sunday-school style specials today. St. Joseph Syrah ‘02 – meaty Rhône red. $5 Ewephoria – crunchy sheep’s milk Gouda. $5 Dogfish Head World Wide Stout – massive 18% rarity. $5 Starts at noon. Today only.

Brauhaus Schmitz has been open since the early AM for Konferenz Channel which is some . . . soccer thing. They’re offering a German breakfast of Brotchen, cheese, salami, ham, hard-boiled egg, butter and nutella! Specials include $1.50 Koelsch while FC Koeln plays and $4 beer specials for Franziskaner, Warsteiner and Hausbrau.

There is a metric crapton of Super Bowl Specials happening tomorrow, so perhaps people are waiting on this snow thing until it looks like we know what the weather is going to do. Surprised I haven’t heard anything yet from Varga or Foy’s . . .

Unsolicited Advice to Artists – Key Words

February 4th, 2010 by Sequoia

Lemme tellya a thing or three

Lemme tellya a thing or three

You have a website, or perhaps a tumblr or blogger or wordpress. Marvelous. You even update your resume as new shows and reviews come in, and you add images of new work and inform the public on sales. You’re rocking this web thing. But is anyone seeing it? Can anyone find you?

I’m kind of obsessed with tags and key words these days, because I’ve come to see how essential they are to sorting through the mass of information that is the internet. I was trying to look up information on a Philadelphia artist the other day, and I was shocked to find that searching their name and the word artist lead me to Art in Bars, which you know, isn’t so helpful since AiB was who was trying to find more information.

A buzzy skill these days is search engine optimization. Now, I have barely functioning coding skills, and if you’re not a code monkey yourself, you are in some ways limited as to what you can do, but never say never. If you have html knowledge, you already know how to create metatags for robots and keywords. But there’s always room for improvement in what you input as your keywords.

Imagine you are an artist in Philadelphia named John Circe. You do pencil drawings based on photographs of your friends wearing animal masks.  You also make sculptures out of pencils. This is your shtick.

It’s easy enough to get a handle of making sure your full professional name (John M. Circe) is included with any show you take part in,  or any image of your work you put on the internet. So if someone knows who you are they can find your website by searching your name, perhaps with artist or art if it’s a common name. But let’s imagine someone saw your work in a group show three months ago, didn’t write down you name, but has been thinking about how much they liked that art and wants to track it down. This is where key words become your best friend.

You need to think about how people who know you, who know your art, and have no idea you exist will find your art. Key word combination that should lead to you. Think specific. Of course use the terms Philadelphia, artist, drawing, pencil, art, but also think of the kind of drawings, the subjects, the materials and add those. Make up long strings of words someone might use to describe your work – weird drawings people masks, hipsters animal mask, Philadelphia drawing mask people, and flatter yourself.  Best Philadelphia drawing, really cool pencil sculpture, interesting drawings masks, new artists pencil really good. Always assume you want people to find you who don’t even know who you are, who have an idea of art they would like to see, and make sure your work comes up.

This assumes you have access to code to embed keywords. Let’s say as fancy as you get is a blogger site.  You have no idea what I’m talking about with keywords. Tags can be used the same as keywords, and should. Even if you post one image of a painting in progress, tag the hell out of it. Your name, the materials, the subject, the location. The robots of the internet use these words to find your page and suggest it to people who are searching the terms. The robots do not see pictures, they see words (this is why one can make an argument against artists having flash websites) then they look to see if the words in your tags or keywords match other words nearby (so you’re not lying about the content.)

The unsolicited advice: always when you put an image of your work on the internet, attach words to it. Lots of words. Specific words. And then the robots, and the art lovers, can find you.

Opportunities

February 3rd, 2010 by Sequoia

ASCB '10

ASCB '10

Couple of quick opportunities for artists, curators, mixologists, and those of you who self-identify as all of the above:

Art Star is accepting applications for their 7th annual Art Star Craft Bazaar. The rules say that up to two artists may share a booth, but collectives are allowed to apply as a group. It would be awesome to see some collectives and more art-orientated artists showing works at the popular event which always gets lots of press and foot traffic. To apply, go here.

Pterodactyl

Pterodactyl

Have a fabulous idea for a show but no place to exhibit it? Pterodactyl has an open call to curators right now. Information on their website. You need to have a solid concept, an idea of what artists might go in the show, as well as images of artists work. They also accept ongoing artists submissions.

In booze news, Art in the Age is looking for ROOT recipes yet again. Got a nummy one? Make a quick video of yourself and post it to their blog. Press release here. As always with ROOT, you could win more ROOT.

Tee-Shirt Review – Sugar Mom’s

February 2nd, 2010 by Tshombe

We interrupt this message to bring you a warning: There has been a large tentacled monster attacking Old City Philadelphia. Thanks to the new t-shirt at Sugar Mom’s we now have an idea of what the beast looks like. Mr. and Mrs. America and all the ships at sea should be on the look out for a fifty foot squid like monster. The shirt shows us a pointy toothed, baby faced menace swatting at buildings that spell out the word Sugar while the streets run white with the name Mom’s.

The Bar that ATE Olde City

The Bar that ATE Olde City

This is the bar t-shirt I’ve been waiting for. The monster is strange, the lettering is unique ,and the subject is engaging without being complicated. I’m also relived that this isn’t a shirt that says “Property of Sugar Mom’s” on it, or have a silly little logo in the breast pocket area. Most Irish Pubs shirts have letters in some sort of Celtic style but because of this they become standard and end up looking boring. Most people realize that a Paddy’s shirt is no different than a Brownies’. Now, Moms’ shirt has nothing standard about it. If another bar has a t-shirt with a disaster scene on it I will be forced to consider it a rip-off.

What’s the reason for this scene anyway? Is it to scare the good citizens of Old City in to drinking at Sugar Mom’s because Sugar Mom’s is a hungry beast? Maybe the shirt tells everyone that the patrons of Sugar Mom’s enjoy 1950’s style horror movies. Marvel, at the tentacles whipping around the periphery of the bulbous batboy head. Cringe, at the super creepy shadows created by its black and white design. If you want a bar t-shirt with an original design run, don’t walk to Sugar Mom’s but beware of THE THING THAT ATE OLD CITY.

February Listings

February 1st, 2010 by Sequoia

Mat Tomezsko, Back

Mat Tomezsko, Back

If you are a bar, bookstore, boutique, cafe, hair salon, laundromat, record shop, restaurant, skate shop or whatever that occasionally rotates artwork up on the walls, and are interested in having your shows listed, please contact me at admin@artinbars.com OR if you are an artist or a friend of an artist with a art show at a not-gallery, let me know! Am I missing a great location? You know the email. Keep me in the know!

Steve Shea at the Abbaye. 637 N 3rd St. Opening Reception Friday, February 5th from 6-9pm. Through February.

Rene Micheli photography at Arcadia Boutique. 819 North 2nd St. Opening reception Friday, February 5th from 6-9pm. Through February.

Ariel Levine and Mark Ellis at Cafe Estelle. Opening reception Friday, February 5th. Through February.

Mat Tomezsko is showing his paintings Cigar Factory on February 12th. Through February.

Art Inspired by Nikola Tesla at Germ Bookstore . Opening reception February 5th, 5-9 P.M. Through February.

Kelsey Halliday Johnson at the Green Line Cafe 4239 Baltimore Ave.
Staff Art Show at Green Line on Locust 4426 Locust St.
Andrew Christman at Green Line Powelton 3649 Lancaster Ave. More information at http://greenlinecafe.com

Ian Burke at Random Tea Room. 713 N 4th St. Opening reception February 11th from 6-9 P.M. February 11th-26th, 2010.

The Best Of Craftivity! at Rocket Cat Cafe 2001 Frankford Ave. Through February.

Kristin Burtoft at Salsita Studio. 1624 South St. Through March 6th, 2010.

Kris Chau at Topstitch Boutique. 54 N. 3rd. Opening reception February 5th 6-10 P.M. Through February 28, 2010.

Lina Stasytyte at 10th Street Laundromat. 1141-43 S. 10th St. Through February.

Full listings on the listings page.

Shhh – Secret Bars

January 28th, 2010 by Jenn

Philadelphia has no shortage of restaurants or bars or gastro pubs or any sort of new hybrid of all of these things that may come out as this article is being written. Places in this town will open and close before I even realized it was there. (Seriously, what is the name of the latest restaurant on 12th and Locust?) Drinks will be either expensive or cheap, and food will be some sort of fusion of every culture that has ever existed with an American spin. Oh, the restaurant industry.

But sometimes though you can find a hole in the wall restaurant that serves beer or cocktails; an unexpected gem in the culinary journey of life. The food in these secret bars is usually more authentic and the drinks are inexpensive. For instance Chinatown is steeping with secret bars. You can get some of the best food of your life and get $2.00 beers or $4.00 cocktails. Mah Lai Wah’s, Joy Sin Lau’s, Sang Kee’s Peking Duck house are all places I love and love to get my drink on.

Another place that you may already be familiar with is Midtown Diner. Now I know that they have closed most of their locations but I believe there is still one on 11th and Sansom. The food is reasonable and they will bring with beer right to the table, you don’t have to sit at the counter. 12oz steak for $10.00 and a $3.00 miller high life, yes please!

In West Philly you have the Salt and Pepper on 47th and Chester right up the street from Clark Park. This take out joint will serve you some of the finest hotplate specials you can imagine –seafood+fries, chicken fingers+mac and cheese plus breakfast sandwiches, and although the beers there are carryout, there are tables inside and out where you can sit and eat. And the beer selection is out of this world. It’s no Foodery so you probably can’t even get a beer above $4.00. The food is good and the beer selection is great.

The newest place for me that I’ve found is actually a few blocks from me. Thang Long a neighborhood Vietnamese place on Sergeant and Kensington has fantastic giant bowls of soup and you can buy a half a chicken meal for $6.50 (P.S. – they get the chickens very fresh next door, at the chicken butcher). And of course super cheap beers to go with your meal.

So! It’s not fancy but these places get the job done. Better food than you can get in a bar and cheaper drinks than you can get in a restaurant, a win/win for me. Do you readers have a favorite secret bar? Let me know why it’s special—oldoldwoodenship@yahoo.com
Jenn Sharon

Greenline Call for Art Donations

January 27th, 2010 by Sequoia

greenline_haiti

More information on their website, naturally.

Get Shown Get Sales

January 26th, 2010 by Sequoia

Artistic success can be yours

Artistic success can be yours

If it were only that easy. Here are a couple opportunities out there to get your showing history going.

My House Gallery is accepting proposals for their new installation room, Compact Project Space. As you can imagine, it is a small room in the gallery and they’re looking for site-specific installations and shows to coincide with their regular gallery openings. More information is available on their website.

Square Peg Artery & Salvage is currently looking for Winter and Spring Merchandise, Workshop instructors, Trunk show vendors and Featured Artists for upcoming shows. Contact Jen Harrison at squarepegjen-at-gmail.com with jpeg images work, pricing guideline, and a brief bio.

Piranha Betty’s Art Market has three options for showing – a flat fee, a flat percentage of sales, or a smaller commission with you minding the store for five hours a week. Full details on the website.

Greenline Cafe has a handy submission guideline if you would like to show in one of their three locations. More information on their website.

What is Attention Worth?

January 25th, 2010 by Sequoia
Who knows where I found this

Who knows where I found this

I happen to know a exceedingly talented illustrator and humorist. I see him occasionally, and stalk his site bearskinrug.co.uk frequently. You should too – the man is immensely creative. As I mull over all sorts of interrelated ponderences of the meaning and worth of art, as well as the meaning and worth of artists, all these sticky issues keep bubbling up. The sticky issue which Kevin and I appear to be pondering around the same time is particular to the internet: what to give away, what to keep, how to earn from it.

Kevin, as a freelance illustrator, and published author is in a different boat than I, or perhaps you are. All my run-on sentences and half supported declarations are free for the taking (I say now.) But for actual artists, who produce creative visual work, the issue is much more serious. One needs, in some way, to put work out on the internet to gain visibility, to show the world what one can do and how brilliant they are at it. Conversely, show too much and no one feels as though you’re owed anything by it. Moreso, the mentality of the internet seems to be of entitlement. Creatives owe the collective hive mentality their best to be shared without compensation. Read this recent article in the NYT for more about this mob mentality.

This is troubling, especially if you happen to be a creative. How can you be expected to have the leasiure, freedom, and opportunity to work hard to create the content if there’s no compensation? How can you support the demand for creative content if you are not supported?

Thinking

Thinking

As artists, this should especially ring true if you are involved with image making. (Not all art is image – but that’s another half-finished post) a strong image once on the internet is lost to the artist and, somewhat unfairly, becomes property of the collective to be used in any way without the artist’s permission, and I’m sorry I keep harping on this, or compensation. Look at the image I used to illustrate this post – took me like 3.5 seconds to grab. Did I compensate the estate of A.A. Milne,  or perish forbid, the Disney Corporation? Golly no. The happy graphic? On TinEye it comes up from 54 sources, and the original artist is lost in the noise of reproduction. It’s on the internet. Finders keepers.  Who cares if it’s a corporate behemoth or a struggling independent artist.

Which brings us back to the artist – once your work is out, there is the double edged sword of either now people know where to get it legitimately, by contacting you, or more likely, your work swiftly loses attribution and the next thing you know your work is being printed on a tee shirt, or repainted in a lesser quality, and someone else is making money from your hard work and creativity. Happens all the time. I know one designer who frequently is told of etsy sellers ripping off her images, and  another artist who found their work printed in a book without their knowledge. What is to prevent someone taking work of yours, recreating it, and gaining from your good-faith attempt to be part of the discourse?

How can an artist balance making their work available to the public without jeopardizing it? Is it the duty of the artist to be present online, come what may? How do we protect the value of artists and their creations now that there is the expectation of free availability?